Category Archives: Manga Anime

Studio Ghibli Has a New President: Kenichi Yoda Takes Over

One of anime’s most legendary studios just turned a new page. As of today, June 22, 2026, Kenichi Yoda has officially stepped in as the new President and Representative Director of Studio Ghibli, with the studio’s shareholders’ meeting confirming the transition from outgoing president Hiroyuki Fukuda.

Studio Ghibli films including Princess Mononoke, Spirited Away and My Neighbor Totoro
Image courtesy of Studio Ghibli

Who Is Kenichi Yoda, Studio Ghibli’s New Head?

Yoda’s name is familiar to those watching Nippon Television’s growing role in Ghibli. A General Specialist at NTV’s Content Strategy Headquarters, he has served as the network’s primary liaison to the studio since the 2023 acquisition. His most prominent production credit is the acclaimed stage adaptation of My Neighbor Totoro, which broke box office records at London’s Barbican Centre — a reminder that his experience lies in expanding Ghibli’s world well beyond the cinema screen. He brings a clear events-and-exhibition eye to the studio, which fits the direction NTV has been steering Ghibli: more live experiences, more global brand-building.

Hiroyuki Fukuda Steps Back — But Doesn’t Leave

The outgoing president Hiroyuki Fukuda (64) took the helm in 2023, the same year Nippon Television acquired Studio Ghibli as a subsidiary. He concurrently held the role of President and Representative Director at NTV Holdings, making his appointment a natural bridge between the two companies during the acquisition period. Fukuda will continue serving as a board director at Studio Ghibli, keeping the NTV–Ghibli connection intact even as he passes the executive baton.

Studio Ghibli classic film poster collage
Image courtesy of Studio Ghibli

The Creative Pillars That Aren’t Moving

For the fans most likely to panic at any Studio Ghibli headline — breathe. The studio clarified that no other changes to its upper leadership structure are planned:

  • Hayao Miyazaki continues as Honorary Chairman of the Board.
  • Toshio Suzuki, the legendary producer behind decades of Ghibli films, remains Representative Director and Chairman of the Board.
  • Goro Miyazaki stays on as Managing Director.

The studio’s creative backbone — Miyazaki and Suzuki at the top — remains exactly as it was. Yoda’s appointment is a strategic and executive move, not a creative one.

NTV, Ghibli, and What Comes Next

When NTV acquired Studio Ghibli in 2023, it sparked plenty of debate about what corporate ownership could mean for such a fiercely independent studio. Three years in, the answer has been a gradual, carefully managed integration — with stage productions, international exhibitions, and global licensing expanding alongside the films. As Studio Ghibli stated at the time of the announcement, as reported by Anime News Network: “By combining the resources of both companies, we aim to create new innovations.” Yoda, coming from exactly that events-and-content side of NTV, looks built for this mandate.

Last Words

For Singapore Ghibli fans, the studio’s beloved films remain as accessible as ever — streaming across major platforms, with merchandise at specialty retailers islandwide. What Yoda’s presidency means for future productions is still an open question, but the continued presence of Hayao Miyazaki and Toshio Suzuki at the top suggests that the studio’s creative soul is in safe hands. This feels less like the end of an era and more like a carefully managed handoff — Studio Ghibli remains Studio Ghibli, just with a fresh name steering the ship. Stay tuned to our anime and Japan culture coverage for any updates from the studio.

BanG Dream! YUME∞MITA Drops 2nd PV and Opening Theme — Premieres 2 July

BanG Dream!’s next anime chapter is taking shape fast — the staff behind YUME∞MITA dropped the second promotional video, a clean opening animation, and the series’ main key visual on 21 June, all ahead of a three-episode premiere night on 2 July 2026.

BanG Dream! YUME∞MITA main key visual featuring Mugendai Mewtype
Image courtesy of Bushiroad / NICHICALINE

What Is BanG Dream! YUME∞MITA?

YUME∞MITA is the latest entry in the long-running BanG Dream! franchise — but it comes with a twist that makes it feel genuinely new. The anime centres on Mugendai Mewtype, a five-member virtual girl band made up entirely of VTubers. Each member has a real online presence and a dedicated fan base, and the series threads their digital personas into a full TV anime narrative.

The five members: Arale Nakamachi (vocals), Nonoka Miyanaga (lead guitar), Ritsu Minetsuki (rhythm guitar), Miyako Fuji (keyboard), and Yuno Sengoku (DJ and manipulator). If you already follow any of them on stream, you’ll be watching familiar faces in a completely new form.

Opening Theme: Our Survival, Written by Unison Square Garden

The PV2 and clean opening sequence reveal the series’ opening theme: “Kore wa Boku-tachi no Seizon no Arasuji” (Our Survival) performed by Mugendai Mewtype. The song was written by Tomoya Tabuchi, guitarist and vocalist of Unison Square Garden — a band whose anime credits include the Kekkai Sensen openings and the Boku dake ga Inai Machi ending theme. His involvement gives the track a sharp, indie-rock edge that sets YUME∞MITA apart from earlier BanG Dream! idol-pop entries.

BanG Dream! YUME∞MITA — Official PV2, via バンドリちゃんねる☆ on YouTube

Production — NICHICALINE and Director Tomomi Umetsu

The series is animated by NICHICALINE, a studio building its identity in music-forward anime. Tomomi Umetsu directs with Hiroshi Morita as assistant director, and Midori Gotō handles series composition alongside writers Akiko Waba, Yotsuji Haibuchi, and Hitomi Ogawa. Character designs are by Osamu Nobusawa and Mochipuyo.

The broadcast plan is ambitious: the first three episodes air simultaneously on 2 July at 23:00 JST on Tokyo MX, with additional broadcasts on BS NTV and Sun TV. Dropping three episodes on night one is an increasingly popular strategy for summer anime that wants to make an immediate impression — you get a complete story arc before the weekly wait begins.

Where to Watch in Singapore

Crunchyroll confirmed in January 2026 that BanG Dream! YUME∞MITA would be part of its 2026 anime lineup. Crunchyroll is available in Singapore, so the expectation is that Singapore fans will be able to stream from 2 July — though exact territory availability for SG had not been confirmed at the time of writing. Check Crunchyroll’s official announcements closer to 2 July for the final word.

Last words

Between the VTuber concept, the Unison Square Garden writing credit, and a three-episode opening night, YUME∞MITA is shaping up as one of Summer 2026’s more interesting sleeper picks. Singapore fans who already live in the VTuber world will have a head start on the lore — check out more Summer 2026 anime we’ve been tracking ahead of the July season kick-off.

BLEACH: The Calamity — 25 July Premiere and Two New Themes

The date is finally locked in. BLEACH: Thousand-Year Blood War — The Calamity premieres on TV Tokyo at 11:00 PM JST on Saturday, 25 July 2026 — and today’s announcement also confirms two brand-new theme songs, chosen with direct input from series creator Tite Kubo.

BLEACH: Thousand-Year Blood War — The Calamity key visual featuring Ichigo's Horn of Salvation form
Image courtesy of TV Tokyo / Studio Pierrot
Official Trailer | BLEACH: Thousand-Year Blood War Final Part – The Calamity | INTL SUBS — via vizmedia on YouTube

The Date BLEACH Fans Have Been Waiting For

The Calamity is Part 4 — and the final part — of the Thousand-Year Blood War anime adaptation, taking the story to Yhwach’s ultimate confrontation with Ichigo and crew. Studio Pierrot returns under chief series director Tomohisa Taguchi and director Hikaru Murata. The key visual puts Ichigo front and centre in his Horn of Salvation form, the definitive fusion of his Soul Reaper, Hollow, and Quincy powers — a visual shorthand for just how much is riding on this final cour.

The July 25 TV premiere had been listed as TBC for months. That question is now answered.

Two New Theme Songs — and Tite Kubo Picked Both

The opening theme is “I-BULL” performed by jo0ji. The ending theme is “Rasen” (Spiral) performed by singer-songwriter 9Lana. According to Anime News Network’s coverage of today’s announcement, Kubo personally listened to and selected the theme songs for The Calamity — a hands-on involvement that also extends to checking storyboards, production graphics, and settings throughout the final arc. For a series that has always used music as emotional punctuation, knowing the creator himself signed off on these picks carries real weight.

BLEACH: Thousand-Year Blood War — The Calamity character visual
Image courtesy of TV Tokyo / Studio Pierrot

Catch the First Three Episodes Early — Theatrical Screenings

Before the TV broadcast begins, Fathom Entertainment and Viz Media are screening the first three episodes of The Calamity in U.S. theatres from 25–29 June 2026, in both Japanese-with-subtitles and English dub versions, including an exclusive behind-the-scenes conversation with Kubo, Taguchi, and Murata. UK fans are getting their own theatrical run on 26 June, as confirmed by Anime News Network. Singapore cinema screenings for The Calamity have not been announced at the time of writing — watch for local news closer to launch.

Where Singapore Fans Can Watch BLEACH: The Calamity

The first three parts of Thousand-Year Blood War streamed on Disney+ in Singapore, and The Calamity follows the same international distribution. Check your Disney+ app for a Singapore listing around the 25 July premiere date — a simulcast or same-week stream is the expectation based on previous parts. Exact local start times for Southeast Asia have not been officially confirmed yet; keep an eye on Disney+ Singapore’s schedule. More anime news on GameTrader

Last words

Thirteen years after the manga ended and two years into the most visually ambitious arc BLEACH has ever put on screen, the final curtain is drawing near. For Singapore fans who have been with the Thousand-Year Blood War adaptation since its 2022 launch, 25 July is the date to circle. With Tite Kubo personally hand-picking the soundtrack and the Horn of Salvation visual signalling the absolute endgame, The Calamity looks set to give BLEACH the send-off it deserves.

Higurashi: When They Cry Gets a New TV Anime — 20 Years On

On June 21 — Watanagashi, the Cotton Drifting Festival day in the series’ own lore — KADOKAWA announced that Higurashi: When They Cry is getting a brand new television anime, two decades after the original first aired.

New TV Anime Production Announcement PV (「ひぐらしのなく頃に」新作TVアニメーション制作決定PV) — via KADOKAWAanime on YouTube

みんな、おかえり — Everyone, Welcome Home

During a live-streamed 20th anniversary special on Sunday, KADOKAWA confirmed that a new Higurashi: When They Cry TV anime is now in production. The announcement came with a teaser visual featuring a smiling Rena Ryugu and the tagline みんな、おかえり — “Everyone, welcome home” — a phrase that is both deeply warm and deeply ominous if you know the character. A short promotional video with newly recorded voice dialogue was also released through the official KADOKAWAanime YouTube channel.

Higurashi: When They Cry 2026 new anime teaser visual with cast
Image courtesy of KADOKAWA

The Original Cast and Studio DEEN Are Back

The entire main voice cast is returning for the new series:

  • Keiichi Maebara: Soichiro Hoshi
  • Rena Ryugu: Mai Nakahara
  • Mion Sonozaki / Shion Sonozaki: Satsuki Yukino
  • Satoko Hojo: Mika Kanai
  • Rika Furude: Yukari Tamura

Animation production returns to Studio DEEN, the studio behind the original 2006 and 2007 anime adaptations — not Passione, which handled the 2020–2021 GOU and SOTSU remakes. That is a deliberate homecoming on multiple fronts, and the announcement makes no effort to be subtle about it.

New Higurashi anime visual from Studio DEEN and KADOKAWA 2026
Image courtesy of KADOKAWA

New to Higurashi? Here Is the Short Version

Higurashi: When They Cry (ひぐらしのなく頃に) is a horror-mystery visual novel series by Ryukishi07 via 07th Expansion, originally released in chapters from 2002 to 2006. It follows a group of friends in the rural village of Hinamizawa during the summer of 1983 — where, every year around the Cotton Drifting Festival, someone dies or goes missing. The series is known for its psychological horror, time loop mechanics, and a knack for making cheerful character designs do a lot of unsettling work. It is not for the faint-hearted, and that is precisely why it still has such a passionate following two decades on.

Last Words

No premiere date or streaming platform has been confirmed yet. Previous Higurashi adaptations — the original series and both GOU and SOTSU — have been available on Crunchyroll in Southeast Asia, so that is the platform Singapore fans would naturally look to, but nothing for the new series is confirmed. KADOKAWA says further announcements are coming soon.

For Singapore’s horror-anime crowd, Higurashi at twenty feels as alive as ever. Whatever direction this new series takes, that Watanagashi timing was not an accident — the team is very much in on the joke, and Rena is smiling. Keep an eye on our anime coverage for updates as they drop.

Sekiro: No Defeat — FromSoftware’s Anime Hits Crunchyroll

FromSoftware’s acclaimed 2019 action game finally gets the anime treatment it deserves — and Singapore fans can catch Sekiro: No Defeat on Crunchyroll after its Japan theatrical premiere this September.

Sekiro: No Defeat official key visual showing Wolf the one-armed shinobi
Image courtesy of Crunchyroll

What Is Sekiro: No Defeat?

Sekiro: Shadows Die Twice — the FromSoftware action title that won Game of the Year at The Game Awards 2019 — is getting an official anime adaptation. The series follows Wolf, a disgraced shinobi sworn to protect a young lord named Kuro. When Kuro is captured by the Ashina clan, Wolf embarks on a perilous journey through Sengoku-era Japan, facing relentless enemies and death at every turn — staying true to the punishing spirit that made the game a modern classic.

Revealed at Gamescom 2025, Sekiro: No Defeat was confirmed as a Crunchyroll worldwide exclusive. The September 4 Japan theatrical premiere date was officially confirmed in May 2026 alongside a new main visual, with a second trailer following in March.

Who’s Making the Sekiro Anime?

Production is handled by Studio Qzil.la together with ARCH and KADOKAWA. The creative team has strong credentials: director Kenichi Kutsuna leads the project, with screenplay by Takuya Sato — whose credits include the Steins;Gate anime adaptation, a reassuring sign for fans who know how much careful pacing matters in a story like Sekiro. Takahiro Kishida takes on character design, with Shuta Hasunuma composing the score.

The production team confirmed via Crunchyroll: “This work is being produced entirely as hand-drawn 2D animation, without the use of any AI-generated animation” — a statement that will matter to many in an industry where that conversation is getting louder.

The Original Game’s Voice Cast Returns

Perhaps the most reassuring news for Sekiro devotees: the full Japanese voice cast from the game is returning for the anime adaptation.

  • Daisuke Namikawa — Wolf / Sekiro
  • Miyuki Sato — Kuro, the Divine Heir
  • Kenjiro Tsuda — Genichiro Ashina
  • Shizuka Ito — Emma
  • Jin Urayama — Busshi (The Sculptor)
  • Akimitsu Takase — Hanbei the Undying
  • Takaya Hashi — Owl (Fukuro)
  • Tetsuo Kaneo — Isshin Ashina

For players who spent dozens of hours grinding through those performances, having them carry over into animation is a welcome continuity that gives the production a head start on emotional grounding.

Watch the Official Trailer

Sekiro: No Defeat | Official Trailer 2 — via Crunchyroll on YouTube

When Can Singapore Fans Watch Sekiro: No Defeat?

Sekiro: No Defeat opens in Japanese cinemas on 4 September 2026 for a limited three-week theatrical run. Following that, the series streams exclusively on Crunchyroll worldwide — Singapore included. The only excluded regions are Japan, China, South Korea, Russia, and Belarus.

No exact Crunchyroll streaming premiere date has been confirmed at time of writing, but expect it to follow shortly after the Japan theatrical window closes. Stay tuned to our anime coverage for updates as they come.

Sekiro: No Defeat Trailer 2 screenshot showing Wolf in Sengoku-era Japan
Image courtesy of Crunchyroll

Last Words

Singapore gamers who have lived and died — repeatedly — through Sekiro: Shadows Die Twice know exactly what this world is capable of. With a returning voice cast, a director and writer with track records in grounded anime storytelling, and a team committed to traditional hand-drawn craft, Sekiro: No Defeat has every ingredient to be a game-to-anime adaptation that actually honours its source material. September can’t come soon enough.

Goodbye, Lara Reveals Ending Theme “Hearts Glow” by Hana Hope and Two New Cast Members

Kinema Citrus — the studio behind Made in Abyss — has dropped the third promotional video for its upcoming original anime Goodbye, Lara, and it delivers two notable reveals: the ending theme song “Hearts Glow” performed by singer-songwriter Hana Hope, and a pair of new cast additions joining the show when it premieres on Crunchyroll this July.

Goodbye, Lara | Official Trailer — via Crunchyroll on YouTube

What the Goodbye, Lara PV3 Shows

The new promotional video previews the ending theme in context, giving audiences their first feel for how Hana Hope’s music fits the show’s bittersweet, fairy-tale-meets-modern-Japan atmosphere. Alongside the musical reveal, the Crunchyroll announcement accompanying the PV also unveiled a fresh key visual and expanded the cast with two more named characters.

Two New Cast Members Join the Ensemble

Minami Tsuda voices Risa, Lara’s fourth oldest sister, while Kazutomi Yamamoto takes on Kōta, a new human character. They join a lineup that already includes Hana Hishikawa in the lead role of Lara, alongside Nana Kawaishi, Rica Fukami, Ayumu Murase, and Masaki Terasoma.

The Story: A Mermaid Reborn at Lake Biwa

Loosely inspired by Hans Christian Andersen’s The Little Mermaid, Goodbye, Lara follows a mermaid princess who wished to be loved by a human — a wish that cost her everything. Two centuries later, she awakens at Lake Biwa in modern-day Shiga Prefecture, Japan, with one last chance at life and love before she vanishes for good.

Director Takushi Koide leads the production at Kinema Citrus, with Anna Kawahara overseeing series scripts, Shiori Tani handling character design, and Yuma Yamaguchi composing the score. The project is published by Kadokawa.

Goodbye Lara key visual — Crunchyroll anime Summer 2026
Image courtesy of Crunchyroll / Kadokawa

When and Where to Watch in Singapore

Goodbye, Lara premieres in Japan on 5 July 2026, with Crunchyroll simulcasting for international audiences — including Singapore and Southeast Asia. It is part of Crunchyroll’s Summer 2026 anime season lineup, which includes a strong mix of returning titles and originals this year.

Last words

With a studio pedigree like Kinema Citrus behind it and Hana Hope lending emotional weight to the ending theme, Goodbye, Lara looks set to be one of the more quietly affecting picks of Summer 2026. Singapore fans catching the new season on Crunchyroll would do well to give this one a slot on their watchlist — 5 July is closer than it feels.

Jimoto Saiko! Is Coming to Netflix — MAPPA Adapts the Viral Hometown Manga

Studio MAPPA — the team behind Jujutsu Kaisen and Chainsaw Man — is adapting Jimoto Saiko! (地元最高!), the viral web manga by artist Usagi, into an anime series streaming exclusively on Netflix worldwide. Singapore fans get global day-one access alongside every other country.

Jimoto Saiko! | Official Teaser | Netflix — via Netflix Anime on YouTube

What is Jimoto Saiko! (地元最高!)?

Before the anime announcement turned heads, Jimoto Saiko! was already a quiet phenomenon in Japan. Creator Usagi launched the manga on X (then Twitter) in February 2021, drawing in readers with its sharp mix of cute character art and genuinely chaotic storytelling. Publisher Saizusha has since compiled it into eight collected volumes — the most recent arrived in August 2025.

The title roughly translates to “Our Hometown is the Best!” and the whole series lives in that tension. The story follows Chanel and her crew of girls who have never left their neighbourhood — a place where violence, poverty, shady operators, and petty crime are ordinary background noise. And yet, they love where they’re from. Netflix itself describes the series as a “slice-of-life comedy” with an “adorable art style” wrapped around “chaotic storytelling” — which is an accurate if underselling description of what makes this manga stick.

Jimoto Saiko! key visual — girls in their hometown, MAPPA Netflix anime
Image courtesy of MAPPA / Netflix

MAPPA Takes the Helm for This Netflix Anime

The adaptation was announced during MAPPA’s 15th Anniversary Lineup Reveal livestream on 19 June 2026 — the same showcase that confirmed Attack on Titan 3, the Chainsaw Man Assassin’s Arc, and Dorohedoro Season 3. Adding Jimoto Saiko! to that slate underscores just how wide MAPPA is casting its net right now.

Confirmed production team so far:

  • Director: Tokio Igarashi
  • Series composition / Scripts: Ryō Takada
  • Character design: Rio
  • Animation production: MAPPA
Jimoto Saiko! character visual — Chanel and friends, MAPPA anime adaptation
Image courtesy of MAPPA / Netflix

A Teaser That Sets the Tone Perfectly

The teaser trailer dropped alongside the announcement, set to “milk” by singer-songwriter aiko — who is openly a devoted fan of the original manga. That choice says a lot: this is not a production team simply optioning a trending property. The contrast between aiko’s warm, melodic track and the rough-edged world on screen gives the teaser a tonal mix you don’t often see from a first-look trailer, and it works.

No episode count or air window has been confirmed yet. But with MAPPA’s current output pace and Netflix’s global simultaneous release model, more details should follow before the year is out.

When Can Singapore Stream Jimoto Saiko?

Netflix is the exclusive worldwide home for the series, which means Singapore subscribers launch-day access alongside every other country — no waiting for a separate regional licence. A specific release window is to be confirmed. In the meantime, the Crunchyroll News write-up has the best running summary of confirmed details.

Last words

Singapore anime fans know what MAPPA can do when the studio is fully invested — the local response to Chainsaw Man and Jujutsu Kaisen speaks for itself. Jimoto Saiko! is a different flavour entirely: quieter, grittier, and strangely warm. If the teaser is anything to go by, MAPPA is not playing this safe. Check out our coverage of the latest anime news and stay tuned for a confirmed release date.

Tomb Raider King Anime Arrives July 8 — Can Singapore Watch?

The manhwa-to-anime adaptation Solo Leveling fans have been eyeing as the next big thing arrives on Crunchyroll on 8 July 2026 — but there is a catch Singapore fans need to know before they mark the calendar: the Tomb Raider King anime will not be streaming in Asia, which means the entire Singapore audience is shut out of Crunchyroll’s broadcast. Here’s the full picture.

Tomb Raider King | Official Trailer — via Crunchyroll on YouTube

What Is the Tomb Raider King Anime?

Based on the wildly popular Korean manhwa by Sang-G (story) with art by 3B2S — available on Kakao Webtoon and Naver Webtoon — Tomb Raider King follows Seo Joo-Heon, an elite tomb raider who is betrayed and left for dead by his employer. When a second chance sends him back 15 years in time with all his future memories intact, he sets out to claim every powerful relic-filled tomb before the corrupt elites who once destroyed him can get there first.

If that premise sounds familiar to fans of Solo Leveling — another Korean manhwa with a revenge-driven male lead who racks up supernatural abilities — that is not a coincidence. Tomb Raider King has been running since 2019 and belongs to the same wave of power-fantasy manhwa that dominated the webtoon charts. Manhwa fans in Singapore who enjoyed Solo Leveling’s anime adaptation will find a lot to like here on paper.

Tomb Raider King anime promotional art showing Seo Joo-Heon in action
Image courtesy of Crunchyroll / Studio EEK

Who Made It? Studio EEK and the Production Team

Studio EEK — a South Korean animation studio — handles the adaptation under director Seung Wook Woo, with character design by Hyun Joung Lee and an original soundtrack by Ju Young Kim. The Japanese dub features a strong voice cast: Yoshimasa Hosoya as Seo Joo-Heon, Saori Hayami as Irene Holton, Junichi Suwabe as Taejoon Kwon, and Nobuhiko Okamoto as Seungwoo Oh.

A world premiere screening of the first two episodes was held on 13 June at Tokyo Science Hall ahead of the July 8 broadcast.

Why Can’t Singapore Watch It on Crunchyroll?

This is the frustrating part. According to C21Media, Tomb Raider King “will be streamed globally, excluding Asia and Russia.” That blanket Asia exclusion takes in the entire ASEAN region, meaning no Crunchyroll stream in Singapore, Malaysia, Indonesia, Thailand, or anywhere else in the region.

The reason for the exclusion has not been publicly explained, but territorial licensing splits like this are common with Korean properties — the rights for Asian markets are often held separately and sold to regional platforms independent of a global Crunchyroll deal.

Are There Alternative Streaming Options for Singapore?

As of this writing, no alternative streaming platform for Southeast Asia has been officially announced for Tomb Raider King. It is possible that a regional deal is in the works — services like Ani-One Asia and WeTV have picked up Korean manhwa adaptations in the past — but nothing has been confirmed for Singapore specifically.

We will update when a Southeast Asia streaming home is announced. In the meantime, the legal read in Singapore remains: to be confirmed.

Last Words

It is genuinely disappointing that a show with this much manhwa pedigree — and a built-in Singapore fan base that already loves the source material — arrives on Crunchyroll with an Asia-wide blackout. That said, the manhwa anime space is moving fast and regional licensing deals tend to get sorted out eventually. Keep an eye out for an Ani-One Asia or similar announcement. When it lands, Tomb Raider King is going to be a very easy recommendation for any Solo Leveling fan on this side of the world.

BLEACH: The Calamity — Final Arc Premieres July 2026

The end is finally here. BLEACH: Thousand-Year Blood War — The Calamity, the fourth and final part of Pierrot’s landmark BLEACH adaptation, has its Japan advance theatrical run today, 21 June — three episodes on the big screen before a full TV premiere in July 2026 on TV Tokyo. Singapore fans, your Disney+ account is all you need.

Official Trailer | BLEACH: Thousand-Year Blood War Final Part — The Calamity | INTL SUBS — via VIZ Media on YouTube

What Is BLEACH: Thousand-Year Blood War — The Calamity?

The Calamity (禍進譚, Kashintан) is the fourth and concluding chapter of the Thousand-Year Blood War arc — the grand final showdown between Ichigo Kurosaki and the Quincy King, Yhwach. If The Conflict left you breathless, The Calamity is where it all pays off.

Studio Pierrot produces the series under chief series director Tomohisa Taguchi and director Hikaru Murata. Creator Tite Kubo has remained closely involved throughout the production run. The Calamity picks up the explosive threads of The Conflict and drives them through to the manga’s conclusion.

A quick recap of the parts so far: The Blood Warfare (Part 1, October 2022), The Separation (Part 2, 2023), The Conflict (Part 3, 2024). The Calamity completes the set — and closes the chapter on one of anime’s most ambitious comeback arcs.

Japan Advance Screening — Today, 21 June

BLEACH The Calamity key visual featuring Ichigo and Yhwach
Image courtesy of TV Tokyo / Pierrot

Japanese fans are getting an exclusive one-day-only theatrical screening of Episodes 1–3 of The Calamity today. Participating cinemas include Shinjuku Balto 9, United Cinemas Aqua City Odaiba, Sapporo Cinema Frontier, Midland Square Cinema, T-Joy Umeda, and T-Joy Hakata, among others. Tickets are priced at ¥3,500.

A special cast premiere event takes place at United Cinemas Aqua City Odaiba at 14:00 and 16:35 showings (the latter reserved for Klub Outside fan club members). Live-viewing broadcasts of the stage greetings are streaming at 29 cinemas nationwide. Attendees receive an exclusive original illustration card set (3 cards) as a commemorative gift.

Overseas Screenings This Week

If you happen to be in the US this week, Fathom Events and Viz Media are bringing Episodes 1–3 to American theatres from 25–29 June — both Japanese subtitled and English dubbed. The screenings include an exclusive behind-the-scenes conversation with creator Tite Kubo and directors Tomohisa Taguchi and Hikaru Murata, making it a proper event for fans.

UK cinema screenings are confirmed for 26 June as well. No Singapore theatrical screening has been announced as of this writing.

When and Where to Watch in Singapore

The regular TV broadcast kicks off in July 2026 on TV Tokyo (exact premiere date to be confirmed). For Singapore fans, all three previous parts of Thousand-Year Blood War were available on Disney+, and The Calamity is confirmed for Disney+ internationally. That means Singapore fans should be able to stream it from launch — watch your Disney+ app for the exact date closer to July.

Ani-One Asia, which streams anime across Southeast Asia, is also expected to carry the series in some markets (to be confirmed for Singapore specifically).

Last Words

BLEACH: Thousand-Year Blood War has been one of the best anime comebacks in recent memory — and The Calamity is the finale Singapore fans have been waiting for since 2022. The advance screening buzz coming out of Japan today suggests Pierrot has saved the best for last. Mark July on your Disney+ calendar and get ready. Ichigo vs Yhwach, one last time.