Tag Archives: Summer 2026 Anime

Red River Anime Hits Crunchyroll — Classic Shoujo Arrives After 25 Years

If you spent your early teens sneaking chapters of a time-travel shoujo epic when you were supposed to be studying, your wait is finally over. Red River — the beloved manga that gripped Shojo Comic readers from 1995 to 2002 — has its first-ever anime adaptation, and it landed on Crunchyroll this week. Twenty-five years after the final chapter ran, Yuri and Prince Kail are animated at last.

Red River anime 2026 wide key visual — Tatsunoko Production
Image courtesy of Tatsunoko Production

What Is Red River (Anatolia Story)?

For anyone who missed the manga: Red River (天は赤い河のほとり, Sora wa Akai Kawa no Hotori — also published in English as Anatolia Story) follows 15-year-old Japanese schoolgirl Yuri Suzuki, who is summoned against her will to the Hittite Empire in 1500 BC Anatolia. Queen Nakia plans to use Yuri as a human sacrifice to curse the royal princes and clear the path for her own son’s succession. The one who intervenes is Nakia’s stepson, the charming and politically savvy Prince Kail Mursili, who mistakenly — and then very deliberately — passes Yuri off as the reincarnation of the war goddess Ishtar.

What follows across 28 volumes is a dense mix of Bronze Age political intrigue, large-scale battles, and a romance that earns its slow burn. Creator Chie Shinohara packed an enormous amount of historical detail into the series — it remains one of the most meticulously researched shoujo manga ever written — and the story’s reach showed: over 20 million copies sold in Japan, an English-language licence from VIZ Media, a Takarazuka Revue stage production in 2018, and the 46th Shogakukan Manga Award in the shoujo category. The one thing it never had was an anime. Until now.

Red River | Official Trailer — via Crunchyroll on YouTube

The Studio, Staff, and Commitment to Historical Accuracy

The adaptation is being produced by Tatsunoko Production — the studio behind classics like Gatchaman, Yatterman, and Casshern Sins — a choice that fits a story this rooted in craft and ambition. Kōsuke Kobayashi directs, with Yoriko Tomita handling series composition and Kenji Fujisaki designing the characters.

Particularly notable is the production’s approach to historical authenticity: the team brought in historians from the Japanese Institute of Anatolian Archaeology to advise on ancient Hittite architecture, clothing, weapons, and court politics. For a story built on the real bones of a Bronze Age civilisation, that kind of scholarly input matters — and it suggests the team understands what made the source material special.

The Voice Cast — Including a 30-Year Reunion

Mirai Tachibana voices Yuri, with Wataru Kato as Prince Kail. Hiroki Nanami — who also performs the opening theme, “Akatsuki no Sora” (暁の空; Dawn Sky) — takes the role of Yuri’s present-day boyfriend Satoshi Himuro and serves as the series narrator. Aya Uchida plays the villain Queen Nakia; the wider ancient court features Shoya Chiba (Zannanza), Tomoaki Maenon (Ilbani), Koji Yusa (Urhi), and Kohsuke Toriumi (Mattiwaza), among others. Miisha Shimizu performs the ending theme, “Reunion.”

Red River anime 2026 voice cast visual — Tatsunoko Production
Image courtesy of Tatsunoko Production

The casting announcement that generated the biggest reaction came on July 8, one day after the series premiere: veteran voice actors Minami Takayama and Kazuhiko Inoue have been cast as Yuri’s parents. The two originally voiced the series lead couple in the original Red River drama CD — released some thirty years ago. Their return to the franchise, now a generation older in-universe, is exactly the kind of easter egg that rewards long-time fans. It is a small creative decision that communicates something important: the people behind this adaptation know the fandom they are making it for.

Red River anime 2026 — Tatsunoko Production
Image courtesy of Tatsunoko Production

Where Singapore Fans Can Watch Red River

Red River is streaming on Crunchyroll for international audiences. In Japan the series airs on NTV’s AnichU block on Monday nights (technically 1:35 AM Tuesday JST), with Crunchyroll carrying the simulcast. The show premiered on July 7, meaning there are episodes already waiting if you’re jumping in right now.

If you haven’t read the manga, VIZ Media’s English edition — all 28 volumes — is the ideal companion. The anime has a lot of ground to cover, and the source material rewards time with it. For longtime fans who read it in serialisation or in collected volumes as kids, this adaptation is something that didn’t seem certain to ever happen. Check out our manga and anime coverage for more on this summer’s anime season.

Tanya the Evil Season 2 Premieres Tomorrow on Crunchyroll

Nine years is a long time to wait for an anime sequel — but the long stretch is finally over. Saga of Tanya the Evil Season 2 (Youjo Senki II) premieres on July 8, 2026, and Singapore fans can catch it from tomorrow via Crunchyroll and Ani-One Asia. Studio NUT is back, the original voice cast returns, and the war for Tanya’s soul rages on.

Saga of Tanya the Evil Season 2 — Official Main Trailer via AnimeSelect on YouTube

Nine Years in the Making — A New Director Steps In

When Season 1 wrapped up in March 2017, followed by the theatrical film in February 2019, the story was clearly unfinished — the light novel series by Carlo Zen had volumes left to adapt. The announcement of Season 2 came in June 2021, but production took another five years to reach screens. The result is a 12-episode continuation produced again at Studio NUT, with Kenta Ihara returning for series composition and Yuji Hosogoe keeping the character designs consistent.

The most notable change is in the director’s chair: Takayuki Yukimoto takes over from Season 1’s Yutaka Uemura. Yukimoto’s appointment was announced at AnimeJapan 2026 alongside a new full trailer and cast reveals — the long development window apparently gave the new director room to push production values. The opening theme, “Why? RED induction” by MYTH & ROID (who also did Season 1’s “JINGO JUNGLE”), and the ending theme “Weiter! Weiter!” performed in-character by Tanya (Aoi Yuki) suggest the tone stays resolutely on-brand.

Saga of Tanya the Evil Season 2 key visual — Tanya and the 203rd Mage Battalion
Image courtesy of Studio NUT / Kadokawa

Where the Story Picks Up

Season 2 begins in autumn of 1926, with Episode 1 titled “Salamander Combat Unit” — dropping viewers straight into the Empire’s deteriorating strategic position as total, global warfare spreads. The 203rd Aerial Mage Battalion under Tanya’s command remains the Empire’s sharpest tool, but the odds are multiplying. The mysterious entity Being X continues to manoeuvre events to force the spiritually defiant Tanya toward submission, making every battlefield victory feel like a step toward a larger trap.

Returning cast members include Aoi Yuki as Tanya von Degurechaff, Saori Hayami as Viktoriya Ivanovna Serebryakov, Shinichiro Miki as Erich von Rerugen, Tessho Genda as Kurt von Rudersdorf, and Hochu Otsuka as Hans von Zettour. Season 2 also introduces two new characters — Mikehl and Liliâ — as the conflict expands beyond the Empire’s borders.

Saga of Tanya the Evil Season 2 key visual #2 — Tanya with General Zettour and Rudersdorf
Image courtesy of Studio NUT / Kadokawa

How to Watch in Singapore

Singapore fans have two good options from tomorrow. Crunchyroll carries the series with a simulcast for most international regions including Southeast Asia, while Ani-One Asia provides the dedicated regional stream for SEA audiences. New episodes drop on Wednesdays following the Japanese broadcast. Both Disney+ and Prime Video are also expected to carry the series on a delayed basis later in the season.

If you need a refresher before Season 2, Season 1’s 12 episodes and the 2019 film are currently available on Crunchyroll. The film in particular bridges the gap between the series and where Season 2 picks up, so it’s worth a watch before Episode 1 drops. Check our full anime coverage for more summer 2026 premiere guides.

Young Ladies Don’t Play Fighting Games Is Now on Crunchyroll — With Street Fighter 6

Episode 1 of Young Ladies Don’t Play Fighting Games is live on Crunchyroll today — and it is already the most fun gaming-anime crossover of the Summer 2026 season. The series follows Aya Mitsuki and Mio Yorue, two students at the ultra-refined Kuromi Girls’ Academy where video games are strictly off-limits, as they discover a shared, very unladylike obsession: locking in at the highest levels of a fighting game tournament. The twist that has everyone talking? The anime swapped out its source manga’s fictional game entirely and integrated real footage from Street Fighter 6.

Young Ladies Don’t Play Fighting Games | Official Trailer — via Crunchyroll on YouTube

From Tea Ceremonies to Ranked Matches

Kuromi Girls’ Academy is the kind of school where grace is a subject and composure is non-negotiable — which makes it the perfect setting for a comedy about girls who unwind by rage-quitting fighting games behind closed doors. The manga by Eri Ejima, serialised in Monthly Comic Flapper under Media Factory, has been running since January 2020 and now spans 10 volumes, with volume 11 arriving on July 22. Seven Seas Entertainment publishes the English version for readers here in Singapore who want to follow along in print.

The anime is produced by Studio Diomedéa and directed by Shōta Ihata, with series scripts handled by Wataru Watari — the writer behind My Teen Romantic Comedy SNAFU — lending the show a sharp, character-driven comic edge. Early reviewer Ken Pueyo at Anime Corner called it a show where “you don’t need to be a fan of fighting games to like this one,” praising the premiere for finding something genuinely funny in the gap between the girls’ outward elegance and their secret intensity at the controller.

Young Ladies Don't Play Fighting Games main visual showing all five characters in character-select screen style
Image courtesy of Diomedéa / Kadokawa

Street Fighter 6 Takes the Stage

In the source manga, the characters play a fictional game called Iron Senpai 4. For the anime, Capcom and the production team reached an agreement to replace it entirely with in-game footage from Street Fighter 6 — meaning every match the characters play on-screen is actual SF6 gameplay. The character assignments are: Aya mains Cammy, Mio mains Ryu, Yū specialises with Ken, and Tamaki runs Juri. For anyone who has spent serious time in SF6’s ranked mode, watching school-uniformed ojou-samas execute those framedata-perfect inputs is a very specific kind of joy.

The collaboration — officially branded Street Fighter × 対ありでした。 — gives the show a production value boost while keeping it immediately readable for viewers who have never touched a fighting game. The SF6 sections are rendered cleanly enough that non-players can follow the action, while fans will catch the small mechanical choices that tell you exactly how serious these girls really are.

Street Fighter × Young Ladies Don't Play Fighting Games official collaboration key visual
Image courtesy of Capcom / Diomedéa

Cast, Music, and Where to Watch in Singapore

The voice cast is stacked: Ikumi Hasegawa leads as Aya, Kana Ichinose — who impressed many in Sword Art Online: Alicization as Alice — voices Mio, with Sayaka Senbongi, Shino Shimoji, and Maria Naganawa filling out the rest of the main group. The opening theme “Inochi Mijikashi Tai Suru Otome yo!” is performed by Hanabie. (fresh off a strong year of anime tie-ups), and Halca handles the ending with “New Game.”

Aya from Young Ladies Don't Play Fighting Games alongside Street Fighter 6 key art
Image courtesy of Diomedéa / Capcom

Young Ladies Don’t Play Fighting Games is streaming on Crunchyroll with new episodes dropping every Tuesday. Episode 1 is available right now for Singapore viewers — no geo-block issues to worry about, since Crunchyroll covers SEA. If the SF6 integration or the premise sounds remotely interesting, the first episode is a confident hook. Check out more anime coverage on GameTrader for everything streaming in Singapore this season.

Sparks of Tomorrow: KyoAni’s New Anime Is Now on Netflix Singapore

Kyoto Animation’s latest series, Sparks of Tomorrow, dropped its first episode on Netflix on 5 July — and Singapore fans can stream it right now. Based on the acclaimed light novel 20 Seiki Denki Mokuroku (20th Century Electrical Catalog) by Hiro Yūki, the show marks KyoAni’s Netflix debut and, if early reactions are anything to go by, another emotionally charged chapter in one of anime’s most beloved libraries.

Sparks of Tomorrow ensemble cast key art showing all main characters around the glowing catalog
Image courtesy of Kyoto Animation

A Steampunk Kyoto Where Electricity Never Arrived

The series is set in 1907 Kyoto — but not the Kyoto you know from history books. In this alternate past, electricity was never adopted, and the city runs on coal and steam, its streets choked with a perpetual amber smog. Into this world steps Kihachi Sakamoto (voiced by Yuma Uchida), a once-hopeful young inventor whose drive collapsed after losing his brother. A chance encounter with Inako Momokawa (Sora Amamiya), the quietly ambitious second daughter of a sake-brewing family, sets both of them on a hunt for the mysterious 20th Century Electrical Catalog — a document said to contain blueprints that could transform the city.

Episode 1, “The Electric Boy,” is deliberately unhurried — a table-setter that prioritises atmosphere and character texture over plot mechanics — but the alternate-history Kyoto that KyoAni has built is extraordinary: painterly, lived-in, and strikingly original. Early reviews have singled out the show’s visual identity as its strongest hook, with the steampunk streetscapes packed with the kind of incidental detail the studio is famous for.

Sparks of Tomorrow | Official Trailer | Netflix Anime — via Netflix Anime on YouTube

The Studio and the Staff Behind the Magic

Kyoto Animation needs no introduction to Singapore anime fans. The Uji-based studio behind K-On!, Violet Evergarden, A Silent Voice, and Miss Kobayashi’s Dragon Maid has produced some of the most visually polished and emotionally resonant anime of the past two decades. Sparks of Tomorrow is the directorial debut of Minoru Ōta, working from scripts by Tatsuhiko Urahata (Overlord, Strike the Blood). Character designs are handled by Kohei Okamura, who also serves as chief animation director, with music by Hitomi Koto.

Notably, the source novel is a KA Esuma Bunko title — published by Kyoto Animation’s own in-house light novel imprint — making this an entirely KyoAni-born project from page to screen, without the usual licensing layers involved in a manga adaptation.

Sparks of Tomorrow official Japanese key visual poster featuring the full cast
Image courtesy of Kyoto Animation

The Cast That Brings It to Life

Leading the series is Yuma Uchida as Kihachi — a natural fit for brooding, grief-shaped young men after standout turns in Oshi no Ko and Vinland Saga. Sora Amamiya (Re:Zero‘s Aqua, Black Clover‘s Noelle) voices Inako with characteristic warmth, although early episodes suggest the character is considerably more complicated than she first appears. Antagonist Yosuke Mizoe is voiced by Koki Uchiyama (Bleach‘s Uryu Ishida, My Hero Academia‘s Tomura Shigaraki), with Daisuke Ono, Minako Kotobuki, and Shunsuke Takeuchi among the supporting cast.

Sparks of Tomorrow — Inako Momokawa profile close-up with flower hairpin against amber sky
Image courtesy of Kyoto Animation

Music: Ginger Root Meets Luna Goami

The opening theme, “Eureka Evrika,” is performed by Luna Goami, a rising J-pop artist whose slightly nostalgic, dreamlike sound suits the show’s alternate-Meiji atmosphere perfectly. The ending theme, “Soarin’,” comes from indie pop group Ginger Root — the Los Angeles-based band with deep Showa-aesthetic roots and a cult following among anime fans across Singapore and Southeast Asia. Both tracks dropped on streaming on 6 July and are available now.

How to Watch in Singapore

Sparks of Tomorrow streams exclusively on Netflix — no premium tier required beyond a standard Netflix plan available in Singapore. New episodes drop weekly every Sunday at 10:00 PM SGT (simultaneous with Japan broadcast), meaning Singapore viewers are among the very first in Southeast Asia to catch each new instalment. Episode 1 is live right now; Episode 2 arrives on 12 July.

Whether Sparks of Tomorrow captures the mainstream moment that Violet Evergarden did remains to be seen, but the craft on display in the opening episode is unmistakably KyoAni. For Singapore fans who have been waiting for the studio’s next big swing, the wait is over — open Netflix. For more on the summer 2026 anime season, check out our Manga & Anime coverage.

Grand Blue Dreaming S3 Is Live on Crunchyroll — The Crew Hits Palau

The long wait is over. Grand Blue Dreaming Season 3 premiered today on Crunchyroll — and for the first time in the series’ history, Iori Kitahara and the Peek-a-Boo diving club are leaving Japan behind, taking their particular brand of chaotic, half-dressed energy all the way to the Republic of Palau.

The Peek-a-Boo Club Takes Their First International Trip

The Palau Arc is a setting change the manga’s long-term readers have been waiting for. Iori, Kohei, Chisa, and the gang arrive in Palau for their first overseas diving adventure — with eccentric new faces, crystal-clear reef diving, and the kind of unhinged situations the show has always excelled at. Palau’s real-world reputation as one of the premier dive destinations on the planet makes it a fitting playground, and Season 3 looks to lean into the open-water, sun-drenched backdrop as a contrast to the university-town chaos of earlier seasons.

TV Anime Grand Blue Dreaming Season 3 Teaser PV — via NBCUniversal Anime/Music on YouTube
The Grand Blue Dreaming cast leap off a boat into the clear Palau ocean in Season 3
Image courtesy of Grand Blue Dreaming Production Committee

New Cast, New Music — Same Grand Blue Energy

Director Shinji Takamatsu returns alongside studios Zero-G and Liber. The core voice cast is back — Yuma Uchida as Iori, Ryohei Kimura as Kohei, and Chika Anzai as Chisa — joined by a strong lineup of newcomers for the Palau arc. Sayaka Ohara, Asami Seto, and Aya Suzaki take on key new roles, while M·A·O voices Carina, who looks set to make an impression as a standout character in the arc.

The opening theme is “Natsuko” by Funky Monkey Babys, while the ending “Hadaka no Mermaid” is performed by Mameshiba no Taigun — both acts that fit the show’s sun-soaked, high-energy mood perfectly.

The Grand Blue Dreaming Season 3 cast raise their glasses in a beachside toast against a bright summer sky
Image courtesy of Grand Blue Dreaming Production Committee
Promotional art featuring Chisa Kotegawa with the Grand Blue Dreaming Season 3 logo
Image courtesy of Grand Blue Dreaming Production Committee

How to Watch Grand Blue Dreaming Season 3 in Singapore

Season 3 is on Crunchyroll now, with new episodes every Monday at 8:30 AM Pacific Time — that is 11:30 PM SGT Monday nights, so Singapore fans can catch each episode late that evening. If you have not seen the earlier seasons, both Season 1 and Season 2 are already on Crunchyroll; the series is easy to dive into and rewards every episode. Crunchyroll is available in Singapore via web browser and mobile app.

Grand Blue has always thrived on cast chemistry and its commitment to absolute, loveable chaos — the Palau setting gives Season 3 a fresh sandbox without changing what makes it work. For more on what is streaming this anime season, see our anime coverage.

BLEACH: The Calamity Premieres 25 July — Ichigo’s Final Battle on Disney+

Twenty years of serialisation, four anime arcs — and now the finish line. BLEACH: Thousand-Year Blood War Part 4 — The Calamity premieres on 25 July on Disney+ internationally and Hulu in the US, bringing Ichigo Kurosaki’s saga to its definitive end across 13 final episodes. The full final trailer dropped at Anime Expo 2026 via VIZ Media, and it is everything fans have been building up to.

Final Trailer | BLEACH: Thousand-Year Blood War Final Part – The Calamity | INTL SUBS | VIZ — via vizmedia on YouTube

Ichigo vs Yhwach — The War Ends Here

Part 4 picks up in the direct aftermath of the Soul King’s fall. With Yhwach having breached the Soul King Palace and unleashed his Almighty power across the Three Worlds, reality itself begins to fracture. The Thirteen Court Guard Squads, surviving Quincy warriors, and Ichigo’s closest allies converge on the Wahr Welt — Yhwach’s transformed Royal Palace — for a series of decisive confrontations, revelations about Uryu’s true allegiance, and one final stand against a being who can rewrite fate itself. The arc adapts manga chapters 664–686, covering the complete endgame of Tite Kubo’s story.

Ichigo reaches for his zanpakuto between crossed blades in BLEACH: The Calamity key art
Image courtesy of Pierrot Films

Theatrical screenings of the first three episodes — in both Japanese with subtitles and English dub — ran in select countries last month, giving some fans an early look. The Disney+ simulcast on 25 July marks the first chance for most of the world, including Singapore, to watch the arc unfold week by week.

Studio Pierrot Returns — With Two New Artists on the Soundtrack

Studio Pierrot continues under director Taguchi Tomohisa, who has helmed every part of the TYBW run since Part 1. Composer Sagisu Shiro returns to score the finale, and Tite Kubo maintains his direct supervisory role over the adaptation — the same combination that earned the series praise for matching and in many scenes exceeding the source material.

The opening theme “I-BULL” is performed by jo0ji, with “Rasen” by 9Lana as the ending. As reported by CBR, Kubo has spoken about his approach to casting theme song artists throughout the run: “I wanted to have as many new artists as possible, hoping audiences would discover musicians through the adaptation.” Both new acts continue that philosophy.

Ichigo's full power on display mid-battle in BLEACH: The Calamity
Image courtesy of Pierrot Films
Yoruichi Shihoin, fierce and ready, in BLEACH: Thousand-Year Blood War — The Calamity
Image courtesy of Pierrot Films

How Singapore Fans Can Stream The Calamity

BLEACH: Thousand-Year Blood War Part 4 streams on Disney+ internationally from 25 July 2026, with new episodes dropping weekly. The premiere goes live at 7:30 AM Pacific Time — 10:30 PM SGT on 25 July — so Singapore fans can settle in that Saturday evening for the opening episode. Disney+ is available in Singapore; if you have been keeping up with earlier TYBW parts on the platform, nothing changes on your end.

Ichigo's battle-scarred face, hollow marking visible, in BLEACH: The Calamity final arc
Image courtesy of Pierrot Films

With 13 episodes confirmed, The Calamity is a tight, focused sprint to the finish of a story that began in Weekly Shonen Jump in 2001. The Thousand-Year Blood War adaptation has consistently been praised for its cinematic quality and fidelity to Kubo’s vision — expectations going into this final run are as high as they get. Keep an eye on our anime section for coverage as each episode drops.

Lyrical Nanoha EXCEEDS Premieres Today: First New TV Anime in 8 Years

Magical Girl Lyrical Nanoha EXCEEDS: Gun Blaze Vengeance premiered in Japan tonight with an extended 60-minute first episode — the franchise’s first new TV anime since ViVid in 2015 and the first fully original TV series since the original trilogy. Original creator Maki Tsuzuki wrote the story. Studio Seven Arcs — which built the franchise from the ground up — is back. And Nana Mizuki is both reprising her iconic role and singing the opening theme. This is the real thing.

A Ruined World, A New Fighter

Kuze Shiina, protagonist of Magical Girl Lyrical Nanoha EXCEEDS: Gun Blaze Vengeance
Image courtesy of Nanoha EXCEEDS Project

EXCEEDS is set thirty years after an alien invasion almost wiped out civilisation. Humanity and the “invasive species” share a fragile, contested world — and the United Nations agency EXCEEDS exists to counter the worst of it. The new protagonist is Kuze Shiina, a teenage hunter eliminating invasive creatures on a remote island, fiercely protective of her younger sister Setsuna. When a mysterious man attacks them both and Shiina is drawn into EXCEEDS’ operations, she’s no longer fighting just for her sister — she’s fighting for what’s left of the world.

It’s a darker, more grounded premise than the original series’ warmly-lit magical academies. But the DNA is unmistakeable: fierce girls, enormous power, and the weight of protecting the people you love. The episode 1 synopsis (Japanese) sets up Shiina’s origin and her first collision with a world much larger than island life.

Original Creator, Original Studio — and a Familiar Cast

Kuze Shiina character design, Magical Girl Lyrical Nanoha EXCEEDS
Image courtesy of Nanoha EXCEEDS Project
Mysterious antagonist character design, Magical Girl Lyrical Nanoha EXCEEDS
Image courtesy of Nanoha EXCEEDS Project

This is not a reboot assembled by outside hands. Famitsu confirms (Japanese) that Maki Tsuzuki — who has written every Nanoha entry since the 2004 original — authored the story and scripts. Seven Arcs returns as the producing studio, with Takayuki Hamana directing and Issei Arigaki on character design. Veteran cast members including Yukari Tamura and Nana Mizuki are back, reprising the roles that defined the franchise, alongside a new set of voices for the new generation of characters.

Nana Mizuki Sings “CRIMSON BULLET”

PV2 still from Magical Girl Lyrical Nanoha EXCEEDS: Gun Blaze Vengeance
Image courtesy of Nanoha EXCEEDS Project

Nana Mizuki voices Fate Testarossa and sang tracks like “Innocent Starter” and “ETERNAL BLAZE” across the original trilogy — songs that defined what Nanoha sounded like for a generation of fans. She’s providing the EXCEEDS opening theme too: “CRIMSON BULLET”. The title alone should tell you the register this show is going for.

PV第2弾 (Trailer 2) — via 魔法少女リリカルなのは YouTube OFFICIAL CHANNEL

How to Watch from Singapore

EXCEEDS is currently airing in Japan on TOKYO MX and BS11 (Saturday late-nights at 25:00 JST) with simultaneous streaming on dAnime Store, U-NEXT, and Anime Houdai within Japan. No international streaming platform has been announced as of writing — availability for Singapore and the rest of Southeast Asia is to be confirmed. Keep an eye on the official Lyrical Nanoha YouTube channel for the latest PVs and announcements, and check back here for streaming news as it breaks. For more anime premiering this season, we’ve got you covered.

The Elusive Samurai Season 2 Premieres July 17 on Crunchyroll

The game of tag is back on. The Elusive Samurai Season 2 has a locked premiere date of 17 July 2026, with Crunchyroll confirmed as the streaming home outside Japan. The date was announced at Anime Expo 2026 alongside a brand-new special trailer — the clearest look yet at what Tokiyuki and his unlikely band of allies face next, and great news for Singapore fans with a Crunchyroll subscription.

The Elusive Samurai Season 2 official key visual poster — TV Anime Season 2 July 2026
Image courtesy of The Elusive Samurai Committee / Aniplex

Tokiyuki’s Story, and Why You Should Be Watching

The Elusive Samurai (逃げ上手の若君 / Nigejozu no Wakagimi) comes from Yusei Matsui — the creator of Assassination Classroom — and was adapted by CloverWorks for its first season in 2024. The premise is deceptively simple: young Hojo Tokiyuki is the legitimate heir to the Kamakura shogunate, but after a coup wipes out his family in 1333, he has exactly zero conventional fighting ability to fall back on. His one supernatural gift is evasion — he is, as the title puts it, extraordinarily good at running away. His eccentric retainer Suwa Yorishige (voiced by Yuichi Nakamura) believes the boy is destined to one day rule Japan, and gathers a band of equally unusual warriors to keep him alive long enough to prove it.

What made Season 1 stand out was how deftly it balanced its comedic DNA with real historical stakes. This is a Shonen Jump adaptation that actually cares about its period setting — the 14th-century political upheaval forms a genuine backdrop rather than wallpaper. Season 2 picks up the resistance story and, judging from the new trailer, turns up the intensity considerably.

Watch the Season 2 Special Trailer

The Elusive Samurai Season 2 | Special Trailer — via Aniplex USA on YouTube
Tokiyuki Hojo close-up from The Elusive Samurai Season 2 special trailer
Still from Aniplex USA’s official trailer

Opening Theme: “Onigoto” by Kento Nakajima

The Season 2 opening theme is “Onigoto” (鬼ごと — literally, “a game of demons” or “a game of tag with demons”), performed by Japanese actor and singer Kento Nakajima. The track gets a preview in the special trailer, and it fits the series well: propulsive, with a theatrical edge that matches Tokiyuki’s chaotic, high-speed escapes through feudal Japan. Yusei Matsui’s stories have always had a knack for pairing kinetic action with music that adds emotional texture, and “Onigoto” looks set to continue that tradition.

Returning Cast and Crew

Director Yuta Yamazaki returns for Season 2 at CloverWorks, keeping the visual identity and comedic timing intact. The full core cast is back:

  • Tokiyuki Hojo — Asaki Yuikawa
  • Shizuku — Hinaki Yano
  • Kojirou — Mari Hino
  • Ayako — Sayumi Suzushiro
  • Genba Kazama — Aoi Yuki
  • Fubuki — Kikunosuke Toya
  • Suwa Yorishige — Yuichi Nakamura

How to Catch It in Singapore

The Elusive Samurai Season 2 streams on Crunchyroll from 17 July 2026 in select countries and territories worldwide, which includes Singapore. It lands in a packed Summer 2026 anime season alongside other high-profile returns, so if you haven’t yet finished Season 1, this weekend is the time to lock in. The full first season is already available on Crunchyroll.

Mushoku Tensei Season 3 Premieres July 5 on Crunchyroll

Singapore isekai fans, this is your reminder: Mushoku Tensei: Jobless Reincarnation Season 3 drops on Crunchyroll on 5 July 2026 — tomorrow. One of the most consistently impressive isekai anime in recent memory picks up directly where Season 2’s emotionally loaded finale left off, and from what the trailers are showing, Studio Bind has not let the momentum slip.

Eris Boreas Greyrat as Sword King in Mushoku Tensei Season 3 — close-up key visual with sword
Image courtesy of Studio Bind

The Asura Kingdom Arc — From Domestic Peace to Political War

Season 3 adapts Volumes 13–18 of Rifujin na Magonote’s light novel series, covering what fans know as the Asura Kingdom Arc — the point where the story expands from personal drama into full-scale political intrigue. Rudeus Greyrat is married to both Sylphiette and Roxy Migurdia now, he’s a graduate of Ranoa Magic Academy, and for a brief, gorgeous moment it looks like his reincarnated life might actually go well. Then a visit to Perugius’s floating fortress brings a crisis that pulls the whole party apart, and the fallout leads straight into the power struggles surrounding Princess Ariel’s claim to the Asura throne.

Two new characters are introduced: Nina Farion (voiced by Haruka Tomatsu) and Gal Farion (voiced by Tetsu Inada), who play significant roles in this arc.

Rudeus Greyrat with Sylphiette and Roxy Migurdia in Mushoku Tensei Season 3
Image courtesy of Studio Bind

Eris Is Back — and She Is a Sword King

If you’ve been waiting for this since Eris walked away without explanation at the end of Season 1, Season 3 is where she returns in full. The Season 3 key visual shows Eris Boreas Greyrat as a Sword King — one of the highest combat tiers in the North God style of swordsmanship — and the close-up of her expression tells you everything about how she’s changed. She left a fiery, impulsive noble girl; she’s coming back as something forged. What happens when she and Rudeus finally face each other again is one of the most anticipated character moments in the entire novel series.

Mushoku Tensei: Jobless Reincarnation Season 3 | Official Trailer — via Crunchyroll on YouTube

Production — Studio Bind’s Full Team Returns

Studio Bind is back with the full crew: director Ryosuke Shibuya, character designers Sanae Shimada and Ryota Furukawa, and composer Yoshiaki Fujisawa on the score. Yuiko Ohara, who has performed key songs throughout the franchise, performs the Season 3 opening theme Ketsui no Uta. The continuity of staff is one of the reasons Mushoku Tensei has maintained such a consistent visual and tonal identity across its seasons — no major shake-ups here.

Mushoku Tensei: Jobless Reincarnation series key art with full cast
Image courtesy of Studio Bind

Watch on Crunchyroll from 5 July — Singapore

Crunchyroll holds global simulcast rights for Season 3, which means Singapore viewers get new episodes alongside the Japanese broadcast each week from 5 July 2026. Subtitled episodes arrive first; an English dub will follow in the coming weeks.

If you haven’t started the series yet, both Season 1 and Season 2 are available on Crunchyroll now. It’s one of the few isekai titles that genuinely earns its long runtime — the craft behind each arc gets richer the longer you stay in. Find more summer season picks in our anime coverage.