Category Archives: Manga Anime

Here U Are Gets an Anime — D JUN’s BL Manhua Is Coming to Crunchyroll

D JUN’s Here U Are has been earning quiet devotion for years. The Chinese BL manhua ran from 2017 to 2020 across 134 episodes and has since accumulated 27.5 million views on WEBTOON — and now, at last, it is getting the anime treatment. Crunchyroll dropped the announcement at its panel during Anime Expo 2026, revealing studio Rouseact as the production house and releasing an official teaser that sent the existing fanbase into a very good mood.

Yu Yang smiling and waving in the Here U Are anime
Image courtesy of Here U Are Animation Project

The Story: Two Students, One Slow Burn

Here U Are follows two university students whose paths collide in the way these things tend to: badly at first. Yu Yang is the cheerful, well-liked upperclassman whose easy warmth conceals real emotional pain he has never let anyone close enough to see. Li Huan is the quiet, standoffish new student who would rather everyone just left him alone. They clash, they pull apart, and they keep finding their way back to each other — slowly, genuinely, with the kind of patience in the storytelling that makes the payoffs land.

That unhurried approach, combined with D JUN’s expressive, clean art, is what built the series’ devoted following among readers who found it on WEBTOON. The manhua is available in English digitally on WEBTOON, and Aloha Comics has a print edition for collectors who want it on a shelf. If you want to catch up before the anime lands, the full run is there waiting.

The Anime Team

Rouseact is producing the adaptation under director Tomoe Makino. Aiki Kawamura handles series composition, Asami Hayakawa designs the characters, and Shinya Kiyozuka composes the music. The voice cast announced so far: Yuki Inoue as Yu Yang and Ryota Suzuki as Li Huan — two actors with the range the story needs.

Here U Are | Official Teaser — via Crunchyroll on YouTube

No premiere date has been announced. Crunchyroll has confirmed it will stream the series, which means Singapore fans are covered — Crunchyroll is fully available here, and with a simulcast pickup this large, subtitles will be ready from launch.

Part of a Growing Wave

Here U Are promotional illustration showing Yu Yang and Li Huan with heart-shaped balloons
Image courtesy of Here U Are Animation Project

Here U Are arrives at a moment when BL adaptations are reaching genuinely mainstream streaming audiences rather than being confined to niche platforms. Crunchyroll picking this up globally — rather than it being region-locked or relegated to a smaller service — means Singapore’s anime community, which has a vocal and enthusiastic BL following, gets it on the same terms as every other market. The announcement drew a strong reaction at Anime Expo, a signal of just how much appetite there is for well-made BL anime beyond the genre’s traditional core audience.

More details — premiere window, opening and ending themes, additional cast — are expected as production news comes through. Keep an eye on Crunchyroll’s official channels for updates. For more manga and anime announcements from Anime Expo 2026, see our other coverage from this week.

Frieren Season 3: Golden Land Arc Premieres October 2027

Frieren fans, the wait for the next chapter has a timestamp. At Anime Expo 2026 this weekend, Madhouse confirmed that Frieren: Beyond Journey’s End Season 3 — subtitled the Golden Land Arc — premieres in October 2027, and unveiled both the returning creative team and an exclusive new illustration of the arc’s formidable central villain, Macht.

The Golden Land Arc — What Season 3 Adapts

Frieren: Beyond Journey's End Season 3 Golden Land Arc first poster
Image courtesy of Madhouse / Nippon TV

Season 3 picks up from Chapter 81 of the manga, diving into the Golden Land Arc (chapters 81–104), a stretch widely regarded by fans of Kanehito Yamada and Tsukasa Abe’s original work as among the series’ most visually and emotionally ambitious. Frieren, Fern, and Stark continue their journey toward Aureole — the resting place of souls — but the path now runs straight through the domain of Macht of El Dorado, described as the last surviving member of the Demon King’s Seven Sages of Destruction and the most powerful demon still standing.

The arc promises to push Frieren into her hardest fight since the First Class Mage Exam, and to finally answer questions about the demon sages’ history that the series has been quietly building toward since Season 1.

Official Announcement Video

Frieren Season 2 short PV & Season 3 announcement — via TOHO animation チャンネル on YouTube (Japanese)

Macht — The Final Sage of Destruction

Macht of El Dorado — Frieren Season 3 villain, the last Sage of Destruction
Image courtesy of Madhouse / Nippon TV

The exclusive Macht illustration unveiled at Anime Expo 2026 gives fans their clearest look yet at the antagonist who will define Season 3. Macht rules over the Golden Land and is the sole survivor of the Demon King’s most elite circle — the Seven Sages of Destruction. Unlike the demons Frieren has faced before, Macht operates from an entrenched position of near-absolute magical power, and the arc builds toward a confrontation that will test not just Frieren’s strength but her understanding of what the Demon King’s era truly cost the world.

The Full Creative Team Returns to Madhouse

The production announcement from Anime Expo confirmed that the entire key creative team from Season 2 is returning alongside the animation studio Madhouse:

  • Director: Tomoya Kitagawa (directed Season 2)
  • Director Cooperation: Keiichiro Saito (Season 1 director)
  • Assistant Director: Daiki Harashina
  • Series Composition: Tomohiro Suzuki
  • Character Design: Takase Maru and Keisuke Kojima
  • Music: Evan Call

Evan Call’s score has been one of the series’ signature elements from the beginning — his restraint with the music, letting silence carry weight just as much as the orchestral swells, has matched the story’s tone perfectly. Knowing the full team is intact means Season 3 should feel continuous with everything that came before it, rather than requiring a re-acclimatisation period.

Where Singapore Fans Can Watch

Frieren: Beyond Journey’s End Seasons 1 and 2 are currently available on both Crunchyroll and Netflix for Singapore subscribers. Season 3 streaming arrangements for Southeast Asia are yet to be officially confirmed — expect the same platform partners to announce simulcast details closer to the October 2027 premiere.

With 15-plus months until it airs, now is the perfect time for newcomers to start from the beginning, and for those who haven’t touched the manga past Season 2 to catch up with the Golden Land Arc before it hits screens. For more manga and anime news, check our latest updates.

Magic Knight Rayearth 2026 Anime Sets October 7 Premiere

CLAMP’s classic 90s isekai fantasy is making its long-awaited comeback. The new Magic Knight Rayearth anime has officially locked in an October 7, 2026 premiere, with a second main trailer and brand-new key visual unveiled this weekend at Anime Expo 2026 in Los Angeles — along with three more cast members to complete the ensemble.

Three Magic Knights, Three All-Star Voices

Magic Knight Rayearth 2026 anime key visual revealed at Anime Expo 2026
Image courtesy of TMS Entertainment

The three Magic Knights are voiced by some of the biggest names working in anime today. Ayane Sakura (Ochako in My Hero Academia, Yor in Spy x Family) takes the lead as Hikaru Shidō; Rumi Ōkubo voices Umi Ryūzaki; and Rie Takahashi — Emilia in Re:ZERO and Megumin in KonoSuba — voices Fū Hōōji. Princess Emeraude is voiced by Saori Hayami, with Yuki Ono as the antagonist Zagato and Mika Kikuchi as the magical creature Mokona.

The three cast additions announced at Anime Expo complete the core group: Yuki Kaji as the mage Clef, Emiri Katō as Presea, and Yoshitsugu Matsuoka as Ferio. It is a near-unprecedented concentration of top-tier voice talent for a single series, and it signals that TMS is treating this revival as a prestige production from the ground up.

Magic Knight Rayearth 2026 character key visual
Image courtesy of TMS Entertainment

Watch the New Main Trailer

TVアニメ『魔法騎士レイアース』メインPV — via TMSアニメ公式チャンネル on YouTube

The main PV showcases the three girls mid-battle in Cephiro, their armour designs faithfully updated from the original CLAMP artwork. Magic sequences, giant robot silhouettes, and an emotionally rich orchestral score that is unmistakably Kajiura all make their presence felt in just a few minutes of footage. For fans who grew up with the 90s series, it is a genuinely exciting first proper look at what this revival will deliver.

Yuki Kajiura on Music — The Score Singapore Fans Have Been Waiting For

Magic Knight Rayearth 2026 character artwork
Image courtesy of TMS Entertainment

The production team is stacked. Yuki Kajiura — the composer whose name alone is enough to guarantee sweeping, emotionally devastating music — is scoring the series alongside Takumi Ozawa and Shiho Terada. Singapore fans who followed Kajiura’s work on Sword Art Online, Puella Magi Madoka Magica, Fate/Zero, and the Kara no Kyokai films know exactly the kind of atmospheric, orchestral magic she brings to fantasy settings.

Directing the series is Yui Miura, making his series directorial debut after serving as episode director on Ninja Kamui and Bullet/Bullet. Shigeru Murakoshi handles series composition, with character design by Satomi Watanabe. Animation production is by E&H production, with planning and production overseen by UNLIMITED PRODUCE by TMS.

The Story — and Why It Still Hits in 2026

Magic Knight Rayearth 2026 Cephiro world artwork
Image courtesy of TMS Entertainment

Magic Knight Rayearth follows three middle-school girls — Hikaru, Umi, and Fū — who are magically transported from Tokyo Tower to the fantasy world of Cephiro while on separate school trips. There, the mage Clef tells them that the world is dying: its Pillar, Princess Emeraude, has been kidnapped by the high priest Zagato, and only three fated Magic Knights can summon the legendary Rune-Gods (giant mechanical spirits) and save her.

Originally serialised by CLAMP in Monthly Shōnen Magazine from 1993 to 1995 and adapted into an anime by TMS in 1994, the series was groundbreaking — one of the earliest isekai to feature magical-girl protagonists who also pilot giant mecha, a combination that still feels fresh decades on. Many Singapore fans in their 30s and 40s caught the original on local TV, and the emotional gut-punch of the story’s mid-series twist remains legendary among those who experienced it unspoiled. This new version, with CLAMP’s involvement as original creators, promises to honour that legacy while bringing it to a new generation.

When and Where Singapore Fans Can Watch

Magic Knight Rayearth 2026 anime characters
Image courtesy of TMS Entertainment

The new anime premieres in Japan every Wednesday from October 7 at 11:45 PM on TV Asahi’s nationwide IM Animation W block. International streaming rights have not yet been officially announced for Southeast Asia, so Singapore fans should watch streaming platforms like Crunchyroll and Disney+ for updates as October approaches. If you want to get ahead of the premiere, the original 1994–1996 series is currently available to stream on Crunchyroll — fair warning that the ending hits hard even on a rewatch.

For more upcoming anime check our manga and anime news for the latest.

‘The Violinist’: Singapore’s First Real Oscar Hope?

Singapore just made animation history. The Violinist, a hand-drawn feature more than a decade in the making, has won the Cristal for Best Feature Film — the top honour — at the 2026 Annecy International Animation Film Festival, the most prestigious event on the animation calendar. It is the first Singaporean feature ever to compete at Annecy, and it walked away as the biggest winner of them all.

The Violinist teaser — via CartoonBrew on YouTube

What is The Violinist?

The Violinist is a sweeping, hand-drawn period drama that traces the intertwined history of Singapore and Malaya from 1929 to the present day. At its heart are two childhood friends and gifted violinists, Fei and Kai, whose lives are torn apart by World War II and the Japanese Occupation — one drawn into the Resistance in Malaya, the other left to survive in occupied Singapore. Across the decades that follow, the story follows a musician’s search for a lost friend, and a shared dream of one day performing a two-violin sonata together.

It is a proudly local story told at a scale Singapore animation has never attempted before. The film is produced by home-grown studio Robot Playground Media, in co-production with Spain’s TV ON Producciones and Italy’s Altri Occhi, with France tv distribution handling worldwide sales.

Fei and Kai playing violin together on a lantern-lit street in The Violinist

Image courtesy of Robot Playground Media

A decade in the making — from an SG50 short

The Violinist didn’t appear out of nowhere. It grew out of “The Violin” (小提琴), an award-winning animated short Robot Playground Media made in 2015 for the Singapore Memory Project, marking the nation’s 50th birthday. That small, personal film about music and wartime resilience struck a chord, and over the following decade it was reworked and expanded into a full feature — Singapore’s first animated feature in close to 15 years.

Directing duties are shared between two very different talents. Ervin Han, co-founder of Robot Playground Media, is a veteran of Singapore’s animation scene making his feature directorial debut. His co-director is Raúl García, a Spanish animation veteran who spent years in Disney’s animation department on classics including Beauty and the Beast, Aladdin, The Lion King and Hercules — a lecturing stint at Singapore’s LaSalle College of the Arts first brought him to the city and to this project.

A young violinist practises indoors in a scene from The Violinist

Image courtesy of Robot Playground Media

Two trophies at Annecy, including the music prize

The Violinist didn’t just take the Cristal. It also picked up the SACEM Award for Best Original Soundtrack — a fitting double for a film built around music. The score is the work of Golden Horse Award-winning Singaporean composer Ricky Ho, in collaboration with Spanish composer Isabel Latorre, while the lead violin performances heard on the soundtrack were played by acclaimed Singaporean violinist Joy Yong.

Winning two awards on debut, in competition, at Annecy is a genuine landmark for the region. Speaking after the win, director Ervin Han said the recognition was “beyond anything we imagined” when the journey began. In an interview with Variety, Han framed the achievement as bigger than one country, noting the film “isn’t simply representing Singapore, it’s representing Southeast Asia” — a part of the world that, in his words, has “historically had fewer opportunities to tell its own stories” at this scale.

The Violinist team accepting the Cristal award on stage at Annecy 2026

Photo courtesy of Robot Playground Media

Could this be Singapore’s first true Oscar contender?

Here’s the part that has film watchers excited: Singapore has never received an Academy Award nomination in any category, ever. An Annecy Cristal is exactly the kind of pedigree that turns a small national film into an awards-season talking point, and The Violinist is now being openly discussed as the country’s best shot at Best Animated Feature in years.

There’s a catch, though. To qualify for the Oscars, a film generally needs a qualifying theatrical run — and as of its Annecy win, The Violinist did not yet have a US distributor or a US release date locked in. A high-profile Cristal win helps enormously on that front, but the road to the 2027 ceremony runs straight through the crowded field of big-studio animation. Nothing is guaranteed. Still, for a hand-drawn Southeast Asian story with no franchise behind it, simply being in the conversation is remarkable.

When can you watch it in Singapore?

The Violinist had its world premiere at Annecy, which ran from 21 to 27 June 2026, ahead of a planned international theatrical rollout. A Singapore cinema release is reported to be slated for September 2026 — so local audiences shouldn’t have long to wait to see it on the big screen. No confirmed streaming details have been announced yet, so for now this is one to catch in theatres.

Executive producer Justin Deimen called the film “a proud global co-production” — and that’s exactly what makes this such a milestone. A story rooted in Singapore’s own wartime memory, made by a Singapore studio, has just been crowned the best animated feature in the world. Whatever happens at the Oscars, that’s already history.

For more animation and anime coverage, check out our Manga & Anime section, and keep an eye on Annecy’s official page for the film as its release rolls out.

Delicious in Dungeon Season 2 Confirmed for October 2027 on Netflix

It’s happening, Dungeon Meshi fans — the gang is heading back underground. Studio TRIGGER officially announced Delicious in Dungeon Season 2 at Anime Expo 2026 on July 4 (July 5, 5am SGT), confirming an October 2027 premiere exclusively on Netflix. After Season 1 swept through the anime community like Laios discovering a new monster to cook, the follow-up has been one of the most anticipated continuations in recent memory.

Marcille enjoying dungeon cuisine in Delicious in Dungeon Season 1
Season 1 set the bar impossibly high for both world-building and food photography.

The official teaser trailer dropped alongside the announcement, giving us our first look at what’s to come as the story continues from Chapter 53 — the Falin chimera arc, where the dungeon’s darkest chapter truly begins. If you haven’t watched Season 1 yet, no spoilers here, but let’s just say the stakes get very real.

Same Core Team, Epic New Chapter

The core production team returns, ensuring the show’s stunning visual identity is intact. Yoshihiro Miyajima returns as series director, Kimiko Ueno continues as series composer, and Naoki Takeda reprises the character design role. The music baton passes to legendary composer Yasunori Mitsuda — yes, the man behind Chrono Trigger and Xenogears — which is an absolutely massive get for the soundtrack department.

Delicious in Dungeon Season 2 promotional artwork
Season 2 promo art teasing the darker tone ahead. Falin’s chimera transformation looms large.

The opening and ending themes have also been revealed via the official Japanese site, though English confirmation is still pending. sumika — the beloved J-pop group known for Shigatsu wa Kimi no Uso’s soundtrack contributions — performs the opening theme 運命 (Fate). Legal Lily handles the ending with キラキラの灰 (Glittering Ash). Both picks feel tonally spot-on for what Season 2’s narrative demands.

Why This Season Matters

Ryoko Kui’s manga ran 14 volumes and sold over 14 million copies worldwide. Season 1 adapted the first half beautifully — the world-building, the food, the surprisingly deep lore about the dungeon’s ecosystem. Season 2 dives into the payoff of everything that was carefully set up. The chimera storyline is where the series shows its emotional teeth, and with Mitsuda scoring it, expect to feel things.

For Singapore fans, Netflix carries Delicious in Dungeon regionally, so Season 2 will be right there in your queue when October 2027 rolls around. No hunting for streams or waiting on regional delays.

KADOKAWA Anime’s radio show tied to the series also resumes on July 5 at 21:00 JST on the KADOKAWA Anime YouTube channel, so there’s more content incoming almost immediately.

Two thousand-plus years of dungeon lore, one incredibly good anime adaptation, and now a confirmed second season with a legendary composer on board. October 2027 can’t come soon enough.

Ghost in the Shell Anime Gets King Gnu OP — Premieres July 7 on Prime Video

Science SARU’s new Ghost in the Shell anime is just 48 hours away — and today’s Anime Expo 2026 panel in Los Angeles delivered the soundtrack reveal fans have been waiting for. King Gnu will perform the opening theme “GO GHOST”, with MILLENNIUM PARADE’s “Blue” bookending every episode as the ending. Singapore fans can catch the international exclusive on Prime Video from 10:30 PM SGT this Tuesday, July 7 — no waiting for a delayed Asian release.

The near-future networked city of 2029 as depicted in Ghost in the Shell THE GHOST IN THE SHELL
Image courtesy of THE GHOST IN THE SHELL COMMITTEE

Back to Where It All Started: The Original Manga, Animated at Last

Officially titled Ghost in the Shell THE GHOST IN THE SHELL, this new TV series is the first direct anime adaptation of Shirow Masamune’s original 1989 manga — the text that launched a global franchise spanning Mamoru Oshii’s landmark 1995 film, the Stand Alone Complex TV series, and a Hollywood live-action remake. Where those productions each carved their own artistic path, this series returns to the source: Shirow’s densely plotted, visually idiosyncratic cyberpunk world, now given a full weekly TV run for the first time.

The story unfolds in the year 2029, a Japan where the internet has merged with the human nervous system and fully cyberised bodies are commonplace. Major Motoko Kusanagi — a full-body cyborg officer — leads Section 9, a black-ops police unit created to fight crimes that blur the line between human consciousness and digital network. Threading through the early episodes is the Puppet Master, a ghost-hacker who can rewrite memories and identities without leaving a trace, whose true nature becomes the series’ central philosophical mystery.

King Gnu Confirmed for “GO GHOST” — A Double Debut at AX 2026

King Gnu — the four-piece alternative rock band known for Hakujitsu, their explosive run of anime tie-in tracks, and a reputation for pairing jazz-influenced arrangement with stadium-ready hooks — will open every episode of the series. PV5, released today alongside the Anime Expo announcement, sets the track against a rapid-cut sequence of Kusanagi and the Section 9 team, and you can watch it here.

PV5 featuring King Gnu’s opening theme “GO GHOST” — via Ghost in the Shell Official Channel on YouTube

For the ending, MILLENNIUM PARADE’s “Blue” was confirmed earlier in the production cycle. Tsuneta Daiki (常田大希) is the connection between both acts: he co-leads King Gnu as its primary songwriter and founded MILLENNIUM PARADE as a separate collective project. The two groups sharing theme duties on a single anime is a first — King Gnu and MILLENNIUM PARADE have never appeared on the same series before — and the pairing gives the show a rare sonic coherence between its opening and ending moods.

King Gnu, who perform the opening theme GO GHOST for Ghost in the Shell THE GHOST IN THE SHELL
Image courtesy of King Gnu

Science SARU and a Literary Screenwriter You Should Know

Animation production sits with Science SARU, the Tokyo studio founded by Masaaki Yuasa and Eunyoung Choi, whose recent output includes Dandadan, Inu-Oh, The Heike Story, and The Cat and the Dragon. Science SARU is not a house style operation — each project looks and moves differently — but the studio consistently works with directors who lean toward expressive character drawing over photorealistic finish. For Ghost in the Shell, that orientation aligns well with Shirow’s original manga, which prioritised kinetic action and dense detail over the moody darkness of the Oshii films.

Direction is handled by Moko-chan (モコちゃん) in their TV series directorial debut. Series composition and screenplay go to Enjō Toh (円城塔) — an unusual and exciting hire. Enjō is a celebrated literary SF author: his novel collection Self-Reference ENGINE is considered one of the most formally experimental Japanese SF books of the 2000s, and his short story Dōkeshi no Chō (道化師の蝶) won the Akutagawa Prize, Japan’s most prestigious literary award, in 2012. Bringing that kind of philosophical weight to the Ghost in the Shell screenplay feels right for a franchise that has always used cyberpunk trappings to ask hard questions about consciousness, identity, and what it means to be human. Character design and chief animation direction are by Shuhei Handa (半田修平).

One curiosity heading into the premiere: as of today’s announcement, no voice cast has been revealed for any character — a rare degree of secrecy for a show less than 48 hours from air.

Major Motoko Kusanagi with glowing red eyes in Ghost in the Shell THE GHOST IN THE SHELL by Science SARU
Image courtesy of THE GHOST IN THE SHELL COMMITTEE

When and Where to Watch in Singapore

Prime Video holds the international streaming rights as an exclusive, with episodes dropping simultaneously alongside Japan’s TV broadcast. Episode 1 streams from 10:30 PM SGT on Tuesday, 7 July 2026. New episodes will follow weekly in the same slot. The series airs in Japan in the late-night “火アニバル!!” (Tuesday Anival) slot on Kantele and Fuji TV.

For more of this season’s anime highlights, our full anime coverage has everything currently airing and confirmed. The official Ghost in the Shell anime site (Japanese) will carry updates on the still-unannounced voice cast and weekly episode information going forward.

SAO Creator’s Devils’ Crest Gets Ado Opening — November 6 on Prime Video

Devils’ Crest — the new anime from SAO and Accel World creator Reki Kawahara and studio Production I.G — just got its biggest reveal at Anime Expo 2026: Ado is singing the opening theme. The song is titled “Shinka” (シンカ), and it lands on Prime Video worldwide — including Singapore — on 6 November 2026.

What Is the Devils’ Crest Anime?

Adapted from Kawahara’s Dengeki Bunko light novel series — serialised since 2022 under his Straight Edge label — Devils’ Crest follows Yuma Ashihara, a sixth-grader who logs into a VRMMORPG called Actual Magic. Midway through a session, the game’s boundaries collapse: the digital world bleeds into physical reality, classmates begin mutating into in-game monsters, and Yuma and his twin sister Sawa are trapped in a survival scenario where neither world’s rules apply cleanly.

Kawahara’s tagline for the series — “This is a game, and it is real” — echoes the DNA of Sword Art Online, but the stakes here land differently: the intrusion is sudden, involuntary, and the consequences play out in the real world from the very first episode.

Yuma Ashihara emerging from his VR dive pod in the Devils' Crest anime
Image courtesy of Devils’ Crest Project

A Serious Production Lineup

Production I.G is animating the series — the studio behind Ghost in the Shell, Haikyuu!!, and Vinland Saga, so the expectations for visual craft are high. Character design is handled by Yukiko Horiguchi, best known for K-On! and Toradora!, whose clean and emotionally readable style suits a premise that needs you to care about characters in two different visual registers (the real world and the game world).

The production crew: Chief Director Shinji Ushiro / Director Kenichiro Komaya / Series Composition Eiji Umehara. Music is co-composed by Yuki Hayashi (My Hero Academia, Haikyuu!!) and Naoyuki Chikatani, with sound direction by Jin Aketagawa.

The main cast: Haruka Shiraishi as Yuma, Konomi Inagaki as twin sister Sawa, Yuya Hirose as Kenji Kondo, and Satomi Amano as Minagi Sano.

Devils’ Crest 1st Promotional Video — via Warner Bros. Japan Anime on YouTube

Why Ado Is the Right Call for This Opening

The opening theme announcement was made at Anime Expo 2026 on 5 July: Ado‘s new single “Shinka”, composed by Vocaloid producer Yurii Kannon, is the series opener. As Ado explained of the track, as reported by Skream!: “In a world where ‘reality’ and ‘game’ invade each other, where do true feelings lie, and what is real versus illusory? This song is filled with the desire to believe and move forward even amidst various anxieties and conflicts.”

If Ado’s track record with anime is any indicator — “Usseewa” turned heads, “Idol” from Oshi no Ko became one of the most-streamed anime songs of the last decade — she reliably brings the kind of vocal intensity that sticks. For a series about two worlds colliding without warning, her tonal range (eerie to euphoric, often in a single breath) is a natural fit. Singapore fans who caught her in Oshi no Ko will recognise exactly why the Devils’ Crest production team made this call.

A dark-haired character in a demon-themed in-game costume in the Devils' Crest anime
Image courtesy of Devils’ Crest Project

What Singapore Fans Need to Know Before November 6

Devils’ Crest launches exclusively on Prime Video on 6 November 2026, simultaneous worldwide. No region-lock, no wait — SG fans are in from day one. Prime Video has increasingly become the home for prestige anime in Singapore, and a Kawahara series with a Production I.G pedigree and an Ado opening is a genuine watch-day-one title.

Kawahara’s work has had a strong presence at Singapore events over the years — SAO merchandise is a mainstay at conventions like Anime Festival Asia and GameStart — and the VR gaming premise of Devils’ Crest should resonate particularly with SG’s gaming audience. The core loop of a kid trapped between a game world and reality, trying to figure out what the rules even are, is a premise that hits differently when your audience grew up with VRcades and MMOs.

Devils’ Crest premieres worldwide on Prime Video on 6 November 2026. Watch the first PV on YouTube for an early look at Production I.G’s take on Kawahara’s mixed-reality world.

Sonic’s 35th Anniversary Short Film Revealed at Anime Expo 2026

Sonic the Hedgehog turns 35 this year, and SEGA is celebrating in style. On the final day of Anime Expo 2026, the company unveiled Sonic the Hedgehog: Memories and Beyond — a brand-new 10-minute animated short film slated for a Fall 2026 release — alongside a sneak-peek trailer that sent the audience into a frenzy. It is the latest in a long line of beloved Sonic shorts, and it looks like it could be the best one yet.

The Story: Metal Sonic Goes Full Chaos

Dr. Eggman is at it again, this time with an especially dangerous plan: harness the power of the Chaos Emeralds to steal Sonic’s life-data and evolve Metal Sonic into an unstoppable weapon. To beat a threat this powerful, Sonic cannot go it alone — the short leans hard into the bonds forged across years of adventures, bringing together Sonic, Amy, Knuckles, Shadow, Rouge, and Tails for a full team-up showdown.

Sonic the Hedgehog: Memories and Beyond animated short action sequence
Image courtesy of SEGA

The title — Memories and Beyond — hints at a story that looks backward at the franchise’s history while pointing forward to what comes next for Sonic and crew. Given the short bridges directly to Sonic the Hedgehog 4, arriving in theatres in March 2027, it looks like this will be essential viewing for fans before the film lands.

Sonic the Hedgehog: Memories And Beyond | 35th Anniversary AX Sneak Peek — via Sonic the Hedgehog on YouTube

The Creative Team Behind the Short

The short was announced during a panel titled “Sonic the Hedgehog Animated Shorts: A Frame-by-Frame Retrospective”, and the talent assembled for it reads like a who’s-who of Sonic animation history. SEGA’s own Takashi Iizuka was on stage, joined by series veterans Tyson Hesse (director of the beloved Ova-style short Sonic Mania Adventures), Evan Stanley, and Alan Wan, as well as Austin Keys and Jasmin Hernandez. With Hesse and Stanley involved, expectations are sky-high — their previous Sonic shorts are some of the most-viewed pieces of Sonic content on YouTube.

Amy Rose in Sonic the Hedgehog: Memories and Beyond animated short
Image courtesy of SEGA

A 35-Year Legacy Singapore Fans Grew Up With

Sonic has always had a passionate following in Singapore — from the arcade era to Sonic Riders in the early 2000s, through the Boost games on handhelds, and right up to the recent live-action film trilogy. The franchise’s animated shorts are a big part of why the fandom stays so attached between major game releases; Sonic Mania Adventures and the Team Sonic Racing Overdrive shorts racked up millions of views and introduced a whole new generation to the classic character dynamics.

Memories and Beyond arriving in Fall 2026 gives Singapore fans something to look forward to while waiting for Sonic the Hedgehog 4 in March 2027. No streaming platform has been announced yet — watch the official Sonic the Hedgehog YouTube channel for updates. In the meantime, catch up on all our anime news and previews here on GameTrader.

Dengeki Daisy Anime Reveals Cast at Anime Expo 2026 — Crunchyroll Pickup Confirmed

Fifteen years after its final chapter, Dengeki Daisy is finally getting its anime adaptation — and Anime Expo 2026 just gave us the first look at the full cast, a teaser PV, and confirmation that Crunchyroll will stream it worldwide. If you grew up reading Kyousuke Motomi’s hacker-romance shojo series in Betsucomi, this one’s for you.

A Fan Favourite That Waited Long Enough

Dengeki Daisy ran in Shogakukan’s Betsucomi from 2007 to 2013, spanning 16 volumes. The story follows Teru Kurebayashi, an orphaned high school student who carries a phone given to her by her late brother. It receives messages from a mysterious contact called DAISY — warm, supportive, and always watching over her. The catch: the gruff, frequently-aggravating school janitor Tasuku Kurosaki is keeping a very big secret about who DAISY really is. The manga was a hit for its mix of sweet romance, cyber-thriller tension, and a lead couple who actually talked to each other rather than misunderstanding their way to a resolution.

Cast Revealed — Yoshino Aoyama and Taku Yashiro Lead

The teaser PV unveiled at AX confirms the two main voice actors. Yoshino Aoyama — known to Singapore fans from roles in Kaguya-sama: Love is War — plays Teru Kurebayashi. Opposite her is Taku Yashiro as Tasuku Kurosaki. The teaser focuses on close-up character animation that emphasises the emotional expressiveness the source material is known for.

Tasuku Kurosaki from the Dengeki Daisy anime official teaser
Image courtesy of Aniplex / Studio DEEN
Dengeki Daisy | Official Teaser — via Crunchyroll on YouTube

Studio DEEN, and Masaru Yokoyama on Music

The production is helmed by director Sōta Ueno at Studio DEEN, the veteran studio behind adaptations of Rurouni Kenshin and Fruits Basket (the original 2001 run). Series composition is handled by Sawako Hirabayashi, with Ayaka Murakami as character designer. The most exciting staff credit for music fans: Masaru Yokoyama is composing the score. Yokoyama is the name behind Violet Evergarden, Your Lie in April, and Classroom of the Elite — soundtracks that hit hard emotionally. That pedigree is a very good fit for this story.

Teru Kurebayashi in her school uniform from the Dengeki Daisy anime teaser
Image courtesy of Aniplex / Studio DEEN

2027 Premiere on Crunchyroll

The anime will premiere in 2027 — no specific season or date confirmed yet — and will stream on Crunchyroll worldwide. Crunchyroll is available in Singapore, so local fans will be able to watch it without jumping through import hoops. No MUSE Asia partnership has been announced so far, meaning the primary streaming home for Southeast Asia is currently Crunchyroll. A full broadcast schedule is expected closer to the premiere.

Worth mentioning for newer fans: the manga’s 16 volumes are available in English and are worth reading ahead of the series. Catch up on more upcoming anime and manga news while you wait.